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Philip G. Wynne got his start in the cigar industry in 1990. It wasn't till
later that he became Felipe Gregorio, to provide his brand of cigars with that aura
of Hispanic 'ancestry.' Wynne is an American, raised largely abroad. There
is no history of tobacco growing and cigar making, for generations, in his
family tree.
Gary J. Arzt: Tell me about Philip, who you are, where you come from and what
your life was before Felipe Gregorio. Philip: I was involved in several things, living in DC after college. Philip: I worked in Washington on a number of jobs. One was representing an Italian military helicopter company. I did some lobbying work for the Kingdom of Jordan. I worked in the Middle East in a Turkish Hospital, hospital operations in Saudi Arabia. I worked for a security company right out of college. So, I was where my roots were. Gary: I believe you started Felipe Gregorio before the boom. What impelled you towards the cigar industry? So when I started the cigar business which was in 1990, I opened up in DC and the year after, in Old Town Alexandria to benefit from Virginia's tax laws. And I stayed there until 2007. I stayed there until 2004, which was after 9/11, living in Washington and having my offices just south of the Pentagon and realizing that it took me eight hours to get home to cover four miles, I sort of decided that I wanted to have my children grow up in a safe environment. So, I had an apartment on Key Biscayne (Miami, FL), so we moved down there. And I have been in Miami back and forth ever since. I am very happy, I miss Washington a lot. I miss all my contacts and part of my life was there, but I am happy to be here because for a cigar maker, this is the center of the world. Gary: Yes, this is the cigar capital of the United States. Philip: And it takes me only an hour and 40 minutes to get to the DR, about two hours to get out though. It is easier. I can be home on the weekends with my kids, so all of that laid into my decisions. Gary: How did you become interested in cigars? Philip: At the age of 14 or 15, my father was posted in Geneva, and at that age, I started smoking. Gary: You stumbled into Davidoff. Philip: I stumbled into Davidoff. I was friendly with the old man himself, Zino and with the manager of the shop. And they took me under their wing because I was interested in everything about cigars. Gary: What were you smoking when you started to smoke? My first cigars that I smoked were Philippine cigars, which was a sweet-tipped cigar. And then gradually, my palate changed and I smoked what I could afford. But the impressions of hanging around that shop and the smell of tobacco and the whole aura about the cigar-making stayed in my mind. And that was ingrained in my hard drive until afterwards when I finished working in the Middle East; ironically it was at that time where there was no more money. There were no more wars and oil is at a low. I was looking for something to do when, with some classmates from university, I went to Honduras. And visiting there, I visited the cigar factory and I thought this was fantastic – Gary: Which factory? Philip: I visited La Flor de Copan. Gary: Okay. Philip: So then in 1990, at that point, the most expensive premium cigar on the market was the Zino line from Davidoff, made in La Flor de Copan. Gary J. Arzt: In the Honduras, yes, a part of La Flor de Copan. Philip G. Wynne: It was Zino Veritas and it was retailed at $6.00. The bulk of other cigars that I used to buy at Georgetown Tobacco where mainly Montessino bundles made by Fuente, which were selling at 80 cents a stick. So, I thought that a $2.00 suggested retail cigar with a European flare and a Cuban taste might have a market in the United States. So, I asked my Honduran friends to introduce me to the people at La Flor de Copan, which they did. And I invested in the factory, and I started making my cigars. I found their cigars to be too mild, so I went out and asked them to put in some more flavourful tobaccos in the blend. And, my first Petrus cigars that came in were medium to full body. I had it wrapped in a Honduran wrapper. Gary: That was 1990? Philip: 1990, total disaster. No one bought the cigar. They all wanted light, light, light cigars. So I said, "Well, that is what I like to smoke" and they said, "Well, if you like to smoke that, you are not going to sell it." So then, I went back and created the Petrus with a Nicaraguan wrapper and I launched at risk.
![]() Felipe Gregorio Owner Philip G. Wynne Enjoys a cigar in his wine bar and lounge, Casa Felipe in Miami And there again, I faced the problem because I am an American, of Italian, European heritage but I am not Cuban or - Gary: You do not have three generations of tobacco growing behind you? Philip: Not at all. So, even though my grandmother owned a tobacco shop in Italy. I do not know if that counts. (Laughing) So here I am, my name is Philip Gregory Wynne, and how can that be a cigar name! So, I gave my name a Latin flavour. And I said, "Let me create a new cigar and I will call it Felipe Gregorio." Gary: Much like the Frenchman named Jean Clement. Philip: Very true, and I have known Jean, in the DR for many, many years. Gary: Became Juan Clemente. Philip: Around the same time. So that is how Felipe Gregorio was born. I found that the tobacco that we had at La Flor was not what I had wanted for a taste profile for the Felipe. So, I went around looking for a different tobacco. And Julio Eiroa (Father of Christian Eirora of Camacho Cigars) had an exceptional tobacco at that time. He grew in Jamastran. It had all the characteristics of what I was looking for. So that is how the first Felipe Gregorio was created. And it later through the popularity of the Felipe Gregorio at that time, became Saint Luis Rey. So it is basically the same blend. It is the original Saint Luis Rey cigar. Gary: Interesting. Philip: So, that is how Felipe started. At the same time, I came upon some exceptional tobacco grown in the Copan Valley, near the Copan ruins by a couple of cooperative growers of La Flor de Copan. And I created a cigar called Don Melo Centenario, which for me had the tasteful part of what I was looking for. Unfortunately, I had only enough to make 250,000 sticks, but we sold them all rapidly ... Gary: 10,000 boxes. Philip: And that cigar was being retailed at $12.00 to $14.00 back in 1994, and it was a success, a hands-down success. Everyone wanted that cigar. Gary: How many retailers did you get that cigar into, considering that you have 10,000 boxes ultimately? Philip: Probably 50, but all the name ones; the very well known shops of the era. Gary: All the significant ones? Philip: All the significant ones. And it was a bonanza because it happened right when the boom occurred. So, everyone wanted that cigar and I remember that after Cincinnati RTDA, which was 1995 ... Gary: 1996. That was a tremendously exciting RTDA ... right in the middle of the boom. Philip: I wrote a million dollars in orders of which I must have supplied a hundred thousand dollars of it before my orders were cancelled because I have no tobacco like everyone else. And by that time, I got around to make the cigars; most of my retailers were out of business. So, I learned the hard way on that, and that is another story. ![]() Felipe Fusion Cigar Going back to the Centenario, the reason why I could not produce is because Hurricane Mitch occurred, which destroyed all the top soil from these farms and we could never get back the quality of tobacco that I have - Gary: That was a disaster in Nicaragua for everybody. Philip: But actually, it was in Nicaragua and Honduras. Gary: Oh, Nicaragua and Honduras, yes. Philip: So now, I was running production as I said in both countries, and the cigars ... my cigar business after a couple of years of struggling started coming into its own mainly, because supply and demand was back. At that period, I believe to be correct; 300 million cigars had been made during the boom of inferior tobacco, improperly cured tobaccos; improperly fermented and inadequately aged tobaccos. All of that was slowly off the shelves, people started distributing and stocking better cigars. Gary: But was necessarily so, we used to walk into humidors and be overcome by the smell of the ammonia. Philip: Yes, correct. But now, in Italian, there is a corporate that says, "Out of every bad thing, something good comes." So I think the industry benefited in general because who remains was stronger and was making a better product because the competition was tough. And I think that is where we are now. I think now today, in 2008, you have overall probably the best selection of cigars across the board than I have ever seen in my 18 years of the cigar business. Gary: There is no two ways about it; the smoker has the finest selection available to him that he has ever had. Philip: So that is where I grew, and then I know that as boutique cigar maker, I cannot have a large national selling brand, so I am strong in creating small batches which we discussed. This is what I am going to continue to do. In the past, I have had a lot of encouragement and assistance from people in the industry. My first mentor you could say was Davidoff, but after that, Don Jorge Bueso, the owner of La Flor de Copan who now must be in his middle 80s, his grandfather started the factory. He took me in and he was very hands-on and I have always been more into the production side of the cigar than the marketing, and I learned tremendous amount of things from them. Then along my travels, I met Julio Eiroa who also imparted his knowledge. Orlando Padron has always been open and very nice and given me excellent advice through the years. Gary: It is an industry where the ... I mean, they are all competitors but it is an industry where the cigar makers, the icons of the industry are always open to teaching or mentoring, or just providing information. There is no fear of competition in that sense. Philip: I believe after the ... in all my years, I believe that there are two sets of cigar people, or cigar-tobacco people. One, that smoke and enjoy cigars, because they enjoy, and a very small percentage that have it in their blood. And when you are in that circle and you talk to somebody, and you realize that that person has that, it is like a fraternity. Gary: Yes. Philip: And then everything opens up, whether you are a competitor, a consumer, a friend ... you are talking about a common element. It is like talking about a beautiful woman and you are all sharing ... Gary: Everybody is going to appreciate it. Philip: Everyone is going to appreciate that. Gary: I think subconsciously, if not consciously, the motivation is important, 'Well, if he is going to make a cigar ... let him make it right.' So there is no fear of sharing information and conveying knowledge to other people. Philip: So these people - they have always been there, they have always share their love of tobacco, their love of cigars, and it is great to have that. Every time we do not see each other that often but every time they do see each other - it is refreshing. Philip: Litto Gomez is a friend and has been very, very generous to me. And he started. In similar circumstances; no background in tobacco or cigar making. Gary: And it is a tremendous success, but I think it is because he has an eye on detail. Philip: He has an eye on details and he knows what he wants. You have to be focused on what you like and what you think is the best and go through and make the best cigar that you can with, the raw materials that you have. You cannot react to the markets, because you will not ... if will always react later and do not care with how is your market. Gary: That is a very interesting point you make there Philip, because in talking to Litto, I asked him if he began to create a cigar with cost analysis upfront which is what most businesses do if they say, "Well, we have to make a car for $12,000.00. We have to make a parachute to market for $180.00," and he has not chosen that theory. He made the cigar that he wanted to make and he cost it later, and ultimately, the market determines the validity of his thinking. So yes, the idea here is to make the best cigar in town, which was not the idea during the boom.
Also, I am making cigars for some of the major French
wineries.
See the Felipe Gregorio Website at: FelipeGregorio.com Hits: 433 Comments (0)
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